Baseball insiders called it one of the sport’s strangest nights.
If you're noticing a new tab at the bottom of your Twitter app for iOS and Android, you're not alone.
Friday was a wretched day for the San Francisco Media Company. The parent organization of SF Weekly and the San Francisco Examiner parted ways with three editorial employees (two of whom, Jessica Kwong* and Giselle Velazquez, are on the Examiner's ubiquitous BART ads), in anticipation of today's debut of new, alarmingly thin Examiners.
“It’s Like Seeing Your Grandpa in a Nightclub”: The New York Times’ Challenge in Building a Digital Brand
Max Pfennighaus is executive creative director of brand and marketing at The New York Times; he was previously in a similar role at NPR.
A political row has broken out in Scotland over the use by police of covert monitoring in order to discover a journalist’s confidential sources.
More than a year after the company's spin-off from Time Warner, Joe Ripp touts "our plan to fundamentally reengineer the business" and talks about rolling out paywalls.
Count Mashable among those to embrace vertical video.
The past two years have seen Dean Baquet become the first black executive editor of The New York Times and Lester Holt become the first black solo anchor of a weeknight network news program.
Not since the reunification has Germany raised serious allegations of treason against a journalist, so it shocked many here when two leading digital rights bloggers found themselves under official investigation on that charge for publishing secret government documents.
Facebook is solving FOMO with a new live events feature that debuted over the weekend at the Lollapalooza music festival.
Journalists Bilgin Sasmaz and Trey Yingst, who were both arrested for recording police during two separate protests in Ferguson, will not be charged and St. Louis County will aid their efforts to have information about their arrests removed from their records.
A small newspaper in a chain long known for relentlessly reducing complex issues to infographics is putting resources into long narratives.
The new money will be used for growth, including expansion of sales channels and continued development of the technology.