Ah, the art of the broadsheet Page One, with its mystical above-the-fold, below-the-fold double secret handshake code, its photo telegraphing The Big Story, its fonts delivering nuance, and its italics offering their own sweet siren song of understanding? Our never-thought-about assumption: this is what newspapers should look like, and they did, city to city, nation to nation. We hardly considered it design; it just was.
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